UNCUT

LIFT-OFF! 1964-67

“I USED to go the Troubadour; I started singing on open-mic night on Monday nights. It was a place we could sneak into – we knew the guy on the back door, so we’d spend a lot of time there. I started hanging out with Roger and Gene, and we’d sing together. I was just a folkieof a sudden I’m in a band. Roger and Gene were singing these songs that Gene had written after he’d listened to The Beatles. Roger could figure out how to play them in a Beatle-ish fashion and then I sat down with them and started singing harmonies. It was completely organic. Gene had no clue what the rules were, so he would just do it in a way that somebody else hadn’t thought of. Roger was so smart. He was the moving force behind that band, he created the arrangements for the songs.

You’re reading a preview, subscribe to read more.

More from UNCUT

UNCUT7 min read
Irmin Schmidt
FOR a few years now, Irmin Schmidt has been the conscientious curator of the Can legacy – a role that has taken on added poignancy since the recent passing of Damo Suzuki, leaving keyboardist Schmidt as the last surviving member of the classic early-
UNCUT2 min read
Q&A
What did you think of Rolling Stone and other publications centring so heavily on the Hendrix comparisons? I felt what we were doing was something unique, and that can make it difficult to pin down. It’s not always easy to find helpful reference poin
UNCUT1 min read
Q&A
There’s a lot about Big Wave that suggests the album was written during an unhappy period of your life. Is that reading too much into the songs? Not at all. When I started writing these songs, I wanted to dive into a shadow growing inside me. I felt

Related Books & Audiobooks