You experience a tremendous sense of dislocation upon entering Ian Chee’s apartment in Singapore’s Tiong Bahru, an area known for its listed art deco buildings. The first impulse is to pause at the door, and then step back outside to check your sense of depth and perception, for it hardly seems possible that the relatively nondescript frontage – a white low-rise apartment block built, like the rest of the neighbourhood, in the mid-1930s by the Singapore Improvement Trust as a test case for public housing –
