When asked in 2018 why he thought the 1960s created so many great blues guitarists — including himself, Eric Clapton and Jimmy Page — Jeff Beck had a ready response that reached high, deep and wide.
“WE WERE DOWN on our luck until the blues arrived,” he replied. “And it became natural music for us. We became disciples. We had to discover more. Anyone who ever had the slightest fascination with music had to find out what that sound was and where it came from. Me, Eric and Jimmy Page were stricken to the soul. We were obsessed. Thank God we were.”
For Jeff Beck, the blues was just one part of a lifelong journey that encompassed rock and roll, fusion, soul, instrumental and electronica. Deeply curious, innately inventive, he followed his muse where it led him.
The first stringed instrument to arouse his interest was the zither, as heard in the theme song for the 1949 British film noir The Third Man. Anton Karas’s haunting title composition was an international hit that year, a tune that rang in his five-year-old ears. “The people next-door-but-one had a zither, and that was actually the first stringed instrument that I touched,” Beck revealed to Jamie Crompton in Guitarist’s 2009 cover story. “There’s a scoop for you.”
It was shortly afterward,
