The day Eventide released the diminutive multi-effects pedal, the H9, few would’ve foreseen the impact the white stompbox would have. For something so small, the little pedal could hold a raft of Eventide’s effects history and so would become a staple in live setups and DAWless jams everywhere. Such was its popularity that we’d often spot producers and musicians rocking not one, but two H9s on stage and in the studio. This might’ve had something to do
