Your first art love?
I have many, but I do really remember seeing for the first time Hiroshi Sugimoto’s seascapes up close.
You work between Bali, Indonesia and Sydney—what does that crossover give your practice?
It’s the crossover space that I’m interested in—the friction, connection and creativity that comes from operating between disparate cultures.
Are there any contemporary Balinese or Indonesian artists you particularly admire?
For a long time I have looked to FX Harsono as an inspiration. The durational performances of Melati Suryodarmo are incredible—start with her iconic Butter Dance. And contemporary Balinese artists Citra Sasmita and I Made Djirna.
Your main mediums are moving image and photography—what drew you to these?
Initially it was through a keen teenage interest in analogue film and spending hours in
