PhotoPlus : The Canon Magazine

JUSTIN MINNS

01 FROSTY MORNING IN CONSTABLE COUNTRY

Taken on a late December morning, this scene in the heart of Dedham Vale in Suffolk has changed little since the time of the great painter 200 years ago

Lens Canon EF 16-35mm f/4L IS USM

Exposure ⅙ sec, f/16, ISO100

LET’S FACE IT, if you had to draw up a list of the top five UK locations for landscape photography, East Anglia would struggle to be included. For many people, the premier league of landscape locations would be the Lake District, Yorkshire Dales, Scottish Highlands, Snowdonia and the Peak District. But ask landscape photographer Justin Minns to explain why the counties that make up East Anglia should also be taken seriously and it’s hard not to be persuaded by his reasoning. Furthermore, Justin has produced a landscape photography book about arguably the most maligned of English counties, Essex. He’s also not slow to defend the photographic appeal of the county where he was born and raised. “Most people think of Essex as the overspill from the edge of London and the horrible reality TV shows, white stilettos and boy racers, that sort of thing,” he says. “But 70 per cent of Essex is farmland, and once you get away from the busy southern part, there are lovely little villages and little coastal places.” Today, Justin lives just across the border in Suffolk and, although he makes regular forays to Britain’s better-known landscape locations, as well as winter trips to Iceland, it is the seasonal moods of East Anglia that provide him with the daily inspiration he needs to sustain his photography…

I believe this year is your 10th anniversary as a landscape photographer. Is that correct?

Yes, initially it was alongside a day job, it started off part-time and it really was a hobby that just got out of hand.

That’s a nice line…

I enjoyed landscape photography and it was a relaxation thing.

You’re reading a preview, subscribe to read more.

More from PhotoPlus : The Canon Magazine

PhotoPlus : The Canon Magazine2 min read
Sharpen Your Canon Skills
As a photographer, if there’s one bar you have to hit, it’s the ability to capture a sharp shot – and that means an image with crisp, well-defined edges on the subject or area you want to be sharp. By ‘sharp’, we mean that there’s no trace of blur or
PhotoPlus : The Canon Magazine1 min read
Mastering Vertical And Horizontal Grips
There really is a right way to hold a camera if you want to maximize stability and be able to switch between landscape and portrait format in a smooth and efficient way. When you’re hand-holding, you want to make your body and grip as stable as a sha
PhotoPlus : The Canon Magazine2 min read
Is Manual Mode The Best Way To Work?
Use Manual mode is common advice from professional and advanced photographers in this magazine and elsewhere. Recently, a photographer asked me why manual exposure was almost universally suggested. Manual exposure puts the photographer in full contro

Related