GALLERY2 + P21
s a sculptor, hands are at the center of Haneyl Choi’s (2022) is a smooth, gray 3D-printed hand with six fingers, while (2022) is inspired by cyclopia, a congenital condition where a newborn’s face fails to properly fuse. The nearly 40 artworks in this two-venue show reflected Choi’s meditation on the forms and deviations of the human body, as in , , and (all 2022), sculptures of nude men with varying but extreme physical dimensions. Mixing references to exercise, sports, and digital media across his folding-screen sculptures and wall decals at P21, Choi adroitly explored the two meanings of “queer”: one meaning sexual identity, the other peculiarity.