WE, ON THE RISING WAVE
n “We, on the Rising Wave,” the curatorial team led by Haeju Kim and composed of (2022), was housed in the abandoned factory building whose roof was partially destroyed by an earlier storm—and history repeated itself when was also damaged by Typhoon Hinnamnor. Mika Rottenberg and Mahyad Tousi’s film (2022), conceived during the pandemic’s height and focusing on ideas of gender and labor in a characteristically surreal manner, had its Asian premiere at Yeongdo Outdoor Cinema. Seeking to repair rifts through shamanic rituals, Sara Sejin Chang’s video installation (2020) explored colonialism through transnational adoptions.
