n January 2022, a boycott stirred Berlin’s art scene. Art professionals, loudest among them artist Candice Breitz, started a grassroots campaign against the new exhibition venue Kunsthalle Berlin that suddenly nested in the former Tempelhof Airport—one of the city’s largest historical spaces that hosts an annual art fair and music festival. The city and the so-called Kunsthalle—a term typically denoting nonprofit art spaces—came under fire as it transpired that the organization Foundation for Art and Culture, which had quietly received the space
