MUSIC
Remembering New Zealand’s swinging sixties
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So, THIS IS MY LITTLE DEN,” the poet Michael Rosen says, showing me into his north London office. The den brims. Books fill shelves. Boxes pile on other boxes. Knickknacks freckle a desk. “Where would you like to sit?” he goes on. I choose the only seat he ‘SO, isn’t about to occupy himself, something wooden and old. Rosen describes it as a “captain’s armchair” and seems satisfied. “It was my dad’s,” he says. Then a mischievous grin appears, as though he knows what is about to happen. When I sit down, the chair groans under my weight, and I become scared to move in case it gives way. Rosen says, plainly, “It’s a bit creaky.”
Rosen is the author of 140 books of poetry and prose, and is the former UK children’s laureate. He is tall and lanky; when he sits at his desk it is like watching a long piece of paper fold itself into creases. It’s more than two years since he left hospital after a near-lethal battle with Covid. And though nurses shaved his jaw clean, his beard has returned and so has his good humour, so that he more closely resembles the Rosen people know: scruffy, daffy, softly playful.
“How are you?” I say, to begin.
“I’m OK,” he says. “The eye bothers me.”
Since Covid, the vision in Rosen’s left eye has been impaired. His
