SCORING a role in a long-running musical is a dream for many “triple threat” commercial dancers. But like any job, the reality is that getting the gig is just the start. The hard work continues, with demands and challenges the dancer might not have expected. A job in a musical can mean a lifestyle of eight shows a week with only one day off – combined with living away from home on a touring show – and the associated physical and mental load. Capping it off, despite the creative nature of the job, repeating the same role and movement every day for months or even years can become boring.
All of this means that dancers who want to achieve success and longevity in musical theatre will need to find ways to keep the routine fresh and stay at the top of their game.
Dance Australia got the lowdown from two