Commissioning a portrait in oils feels like the real deal. Oil paint is the classic medium that sits lusciously on the surface of, usually, a stretched canvas and as such doesn't need a frame. The nature of this slow-drying painting medium means that you can play over longer periods of time, both alla prima (wet into wet) and with several rich layers and glazes, resulting in a surface that is durable and full of depth.
When I take on a commission, I am aware that I must be accurate and I must, to a certain degree, flatter. Whereas, with my own personal work I can experiment and be bold, I tame that a little with commissions. I admit to being less flattering in my personal work, usually choosing sombre expressions and starker views.
When undertaking a portrait, I like to spend time with the sitter in order to gather all the information I may need, control the lighting and find a good viewpoint. There is nothing worse
