Opera Canada

“Words and Music Are Not Dying—So Opera Will Not Die”

D.W-P.: What is your advice to young directors?

RC: First of all, to ask themselves, what is directing? Directing most of the time is telling someone else’s story. The director must keep in mind that they did not write the story, but rather as a team, we are retelling a story that a librettist has adapted, and a composer has put to music. The director’s job is to try and understand what it was they wanted to do before deciding what it is he or she wants to do. If the director doesn’t understand or at least attempt to understand this, the danger is that the production will turn out to be a graffito over the work, rather than an interpretation.

As we know, a story changes every time it is retold. That is also the basis of theater. And it requires the presence of an audience for the retelling to become an act of theater: someone to watch it, to share it, to try and understand it, to be touched or appalled

You’re reading a preview, subscribe to read more.

More from Opera Canada

Opera Canada4 min readJob Hunting
Opera 5 - Opera McGill
WHILE OPERA COMPANIES reduce both the number of productions and performances per season, here instead are leaders with a vision of collaboration, teaching tools with which to earn a living in the face of these realities…at music school! So-called boh
Opera Canada5 min read
Known to Dreamers: Black Voices in Canadian Art Song
MEASHA BRUEGGERGOSMAN-LEE, ELLIOT MADORE, JONELLE SILLS; STEVEN PHILCOX CENTREDISCS — CMCCD 32523 RELEASE DATE: FEBRUARY 2024 Canadian Art Song Project features the contributions of Black Canadian composers and poets FEBRUARY 2024 IS SET TO BE AN exc
Opera Canada1 min read
For Love Of The Opera
BROUGHT UP IN AN OPERA-LOVING household, Dawson has been a Canadian Opera Company subscriber since 1997. He comes from an investment banking background, but has since retired from that enterprise. What makes him tick most is creativity and innovation

Related Books & Audiobooks