A legendary visual-effects artist best known for his iconic stop-motion work on the original Star Wars trilogy, RoboCop, Willow and many more ’80s favourites, Phil Tippett this year completed his threedecades-in-the-making animated opus Mad God, and is the subject of the career-spanning book Mad Dreams And Monsters, which is reviewed on p118.
Is Mad God a culmination of your work as an artist?