BLEASS Megalit follows a conventional subtractive ethos that feels immediately familiar and comfortable: three oscillators, noise generator, low- and high-pass filters, a pile of modulation options, all rounded off with some effects and processing. So there’s nothing here that will leave you puzzled, but there are innovative ideas, exquisite execution, and an awful lot of timbre-wrangling potential.
The first hint of that potential comes from Megalit’s pair of wavetable oscillators. These offer a voluminous selection of over 120 wavetables encapsulating a vast swathe of