The American Scholar

A Royal Disappointment

A reported 82 million households watched the first season of the Netflix show Bridgerton—writer and producer Shonda Rhimes’s romance set in early-19th-century Britain—but until recently, mine was not one of them. Not that I didn’t want to see it. I’d heard a great deal about this period drama, with its prominent Black and women characters. I also knew that those bold casting decisions had led to its massive success, especially with people of color. And yet, just four minutes and 25 seconds into the first episode, I found myself wanting to gag.

unquestionably looks good. The surfaces—from the lavish furniture to the kaleidoscopic costumes to the made-up faces of all the beautiful peopleare impeccable. But watching it was like overdosing on cotton candy. In particular, I couldn’t get past the actions of one character:

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