eramicist Glenn Barkley creates a rich visual journey by excavating his rural community's colonial past. For his exhibition at Shoalhaven Regional Gallery, New South Wales, Barkley wears two hats. He describes the show as both a creative and curatorial act, in which he combines his own pottery with museological artefacts and materials, alongside a collection of art pieces created by the Nowra community. These sections intersect and interrelate, building up a dense interior
