Released 25 NOVEMBER
oah Baumbach is – at least at first glance – a curious choice to adapt the work of American author Don DeLillo for the screen, as his stylised, complex and idiosyncratic prose seems vastly different from the realist dialogue that the filmmaker tends to favour in his – an anxiety around the looming spectre of death – is familiar territory for for the writer/director, as is the psyche of the film’s middle-aged, middle-class white protagonist. This is his most ambitious project in both scale and provenance.
