Computer Music

welcome

There’s a certain computer musician who will tell you that, if used correctly, a decent effect plugin can be more creative than any instrument or ‘sound maker’. With anyPlugin Suite, I thought ‘there’s a cover feature right there’. And doing what any self-respecting (aka lazy) editor would do, I asked someone else – CM Suite expert Jon Musgrave – to write it. And that feature is right here, and as it turns out, it’s not just about getting an extreme sound but how using plugins in a certain way can your sound. And ultimately, how applying extreme settings can help your productions from start to finish. So we’re all learning a thing or two this issue. Next month Jon’s dealing with other things I find baffling, with a tutorial on tax returns and. Until then!

You’re reading a preview, subscribe to read more.

More from Computer Music

Computer Music8 min read
Time-shaping Concepts
Time-manipulation forms such an integral part of our production toolset that it’s easy to ignore how powerful, flexible and impressive it is. In this feature, we’re focusing on some of the more sonically interesting routes. Even so, it’s worth defini
Computer Music2 min read
Classic Samples The 303 Collection Pt.1
In the first of four packs we commissioned back in issue 303, Robbie presented a delicious collection of some of those bedrock 303 grooves “The Roland TB-303 has been cloned many times, an early example being the Novation Bass Station in 1995. Though
Computer Music1 min read
Cm/video
Watch as we explain how to navigate the twists and turns of this time-defying free gift Read the full article from p14 Our resident music production gurus walk you through their specialist field every month Read the full article on p44 Read the fu

Related Books & Audiobooks