Lens Magazine

MARK EDWARD HARRIS: INTO THE ARCHIVES

In everyone’s career, there are pivotal moments that redirect its trajectory.

I remember mine. Soon after The Merv Griffin Show went off the air in 1986, I left Los Angeles for a four-month trip around Southeast Asia and the Pacific islands to build a documentary and travel photography portfolio. I loved my time working on the television show in Hollywood where I took care of celebrities in the Green Room and then shot the stills when they were on stage, but after three and a half years, it was time to move on. The show ending forced me to do what I needed to do.

You’re reading a preview, subscribe to read more.

More from Lens Magazine

Lens Magazine6 min readVisual Arts
Hussam Sleiby Chasing Shadows Of The Past
In the realm of visual arts, the relationship between different mediums often gives birth to innovative and thought-provoking creations. The fusion of classical paintings with still-life photography stands as a testament to the enduring power of arti
Lens Magazine9 min read
Sujata Setia Changing The Conversation
"Changing the Conversation" is less about physical disabilities and visible traumas and more about the "other" finding room for an open conversation with the "normal." As a girl child who grew up amidst patriarchy, I have battled for all of my life w
Lens Magazine4 min read
Exploring My Intersection With Reality aristo Vopĕnka
”This is a portrayal of the motion of a state of being. I feel frozen in a frame, with light being a way to capture this moment. It is an exploration of converting my feelings of the unknown. Capturing a fragment of time in motion, the light caresses

Related