he use of daylight in Georgian artist Thea Djordjadze’s solo exhibition at Berlin’s Gropius Bau, “all building as making,” focused the senses to the rhythms of the institution. Stepping into the muted exhibition space, lit by the sunless sky of a winter afternoon, I felt time slow. The yellow glow of a light positioned behind a window’s wrought-iron screen cast an intricate shadow high on the wall, drawing
Thea Djordjadze all building as making
Mar 03, 2022
2 minutes
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