irst established in 1993, the Asia Pacific Triennial has long been recognized for its monumentality, proclivity for spectacle, and festival-like atmosphere, manifest through its large-scale installations, new commissions, and extensive events program. For its tenth edition (APT10), however, the Triennial turned a degree inward, onto a more intimate note. While the presentation’s scope remained wide—works by more than 150 artists from 30 countries across the Asia-Pacific region occupied
