If there’s one thing that has to be abundantly obvious, when it comes to contemporary music production, not all bass sounds are equal. While many producers still yearn for the classic bass sounds produced by Minimoogs, 101s and 106s, software provides the ideal portal to creating substantial and impressive bass, inviting modulation for movement and interest.
A recent example would be David Guetta, Becky Hill and Ella Henderson’s, where we hear a bass sound that began life as a good old-fashioned square wave, but mutated into a sound with so we have sought to create a very similar sound, but using a more orthodox and simplistic approach.