Last issue, we worked against the natural layout of the guitar somewhat, creating close-voiced chords containing clusters of adjacent scale notes. Here, we’re doing the opposite, spacing chords across all six
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SUBSTITUTE Jazz Voicings
EVEN THE MOST ‘ROCK AND ROLL’AMONG US have probably marvelled on occasion when hearing the harmonic possibilities coaxed out of a guitar by the likes of Joe Pass, Barney Kessel, Wes Montgomery and Tal Farlow. While this feature doesn’t claim to be th
