It’s difficult to pigeonhole Bill Orcutt’s inimitable, improvised, skeletal style of music, which sees him disregard the A and D strings on his guitar. His current album, Made Out Of Sound, with drummer Chris Corsano, has been described as “not-not-jazz”, whereas his solo acoustic work has veered more towards the blues, albeit in abstract. In the 90s, when he played as one of noise-trio Harry
