This special issue has so far focused on upskilling you for a range of fast-moving subjects, such as birds or vehicles, so it might be odd to turn our attention to the subject of still-life. The term still-life naturally conjures up the idea of stillness. While this is undoubtedly true of the end result, it doesn’t necessarily mean that the subject itself must be static, however.
Through the skilful and considered use of high-speed flash, where ultra-fast subject movement is frozen in space and time, this genre of photography can reveal a unique and visually fascinating world, and one which is otherwise imperceptible to the naked eye.
One of the most unique aspects of photography is its
