n her second poetry collection, (Wesleyan University Press, November 2022), Abigail Chabitnoy offers what she describes as a “lyrical revisioning of violence against Indigenous women and the resilience of such women in the face of that violence.” In poems structured like waves, with recurring phrases and lines eddying across the page, Chabitnoy links the treatment of Indigenous women in the United States with harm toward migrants and the environment. The book is an act of unburying in which Chabitnoy refuses to let
