Debussy
Suite bergamasque; Images oubliées; Deux arabesques; Pièce pour l’oeuvre du ‘Vêtement du blessé’ etc
Steven Osborne (piano)
Hyperion CDA68390 71:04 mins
Any recital recording that programmes only shortish pieces runs a risk, and even more so when they’re all by the same composer. I shouldn’t have worried with Steven Osborne in command. Not only are there plenty of lively dances on here to counter the cliché of the ‘wispy’ Debussy, but the contrasts between tracks and the clarity at any dynamic level – and of course Osborne can play with magical refinement – are wondrous. I’m indebted to the pianist for a revelation: among the pieces I didn’t know are the three Images oubliées (so-named to distinguish them from the later and more familiar two sets of Images piano pieces). One of the most beautiful dedications I’ve ever read, which I wish I could quote in full – it’s to 17-year-old Yvonne Lerolle and mentions ‘“conversations” between the Piano and Oneself’ (the descriptions in the score, not all given here, are a pleasure to read, too). Composed in 1894, the first two feel like delicate tendrils from the forest of Pelléas et Mélisande, which Debussy had already begun.
The inclusion of Images oubliées is a revelation
In fact there are really middleperiod pieces here as well as early, with a handful of late miniatures forming a mysterious coda. Only in the and the does the level drop slightly, but Osborne rivets ones attention. is probably the first piece you’ll recognise, but it comes from another world and sounds utterly different; ‘Clair de lune’ works best surrounded by light-filled neoclassical companions in the . Total delight, whether you listen to it in one or
