Country Diary
Jul 20, 2022
2 minutes
Richard Negus
ast week, two students entered the National Gallery and made their way to Room 34, where John Constable’s hangs. Here, the pair, who ally themselves with Just Stop Oil, an environmental protest group demanding an immediate cessation of fossil fuel licensing and production, proceeded to cover the pastoral masterpiece with their own dystopian version. The image was one the protesters claimed to be the
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