The Paris Review

Ira & the Whale

It is dark in the whale and hot. The air is difficult to breathe. Ira is coated in gunk, sweating in his black Speedo. The whale’s heartbeat booms and echoes like a giant drum. It’s intimidating. It sounds tribal, ritualistic, as Ira wades through the animal’s stomach in shock, up to his knees in liquid goop.

He hears water gurgling and rushing. Mournful moos that go unanswered. Eventually his eyes grow accustomed to the dark. In murky gray scale he can make out the swaying surface of the goop, spotted with mounds of algae, dying shrimp, stray squid tentacles, and the occasional fish head. Surely, somewhere, there is a throat that presumably leads to the mouth, but Ira can’t find it.

It must be a magical whale or the biggest whale of all time because its stomach seems infinite. Ira wanders for hours, passing sights he’d remember if he saw them again, but nothing repeats. He sees one of those intricate camp chairs floating in the muck. A Mercedes hubcap adorned with the gnarled skeletons of… Ira doesn’t fucking know. He’s just a graphic designer trying to get laid on Fire Island. In summers past he’s visited with friends, but this time he’s alone.

Liquid rains down on Ira and he closes his eyes and mouth. His body is bruised but still intact. He longs for his cigarettes—which are under his sun hat on his towel on the beach, near a hairy man in a tube top—but what he really needs is water. He wonders how long he can live without it. He dips his finger in the goop and touches his tongue. It’s so bitter it burns.

The initial panic has dissipated and bleak reality is setting in. He’ll never make it back to his Airbnb, which looked exactly like the pictures, only half the size. He sees his headstone—his name in a cold, boring font chosen by his parents. He’s forty-four. His life has been average. It was his childhood dream to live in New York City and become an actor. He moved there for college but gave up on acting after one class. He still lives there, though he doesn’t love it the way he thought he would. He shuffles between work and home, squandering his paycheck at a gourmet supermarket—the others depress him.

Ira has been single for much of his life. His hookups disappear back into the Grindr pool, rarely to resurface. He only likes a certain kind of man. They must be as tall or taller than him. He doesn’t know why. And

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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