Interview Judy Watson & Helen Johnson

TIARNEY MIEKUS

Considering the areas of overlap but also great differences in your works, what made you feel your art would work well in dialogue together?

HELEN JOHNSON

When I was in very early conversation about doing a show with the NGA, I initiated asking Judy to show alongside. There are a number of reasons for that. Firstly, she’s someone whose practice I’ve admired for many years. And I also was really intrigued to bring together my work and Judy’s because materially there are similarities of working on unstretched surfaces, often working at quite large scale, and building up layers in the work. But the outcomes and the trajectories of our works are really different.

Also, the first time I really connected with Judy was when we crossed paths at a dinner in Sydney and I was six months pregnant. I remember having this beautiful conversation about motherhood and the ways it changes your sense of self and your body, and processing that relationship. I think that’s really come to the fore in this show. It started out dealing with colonialism, from our very different subject positions, and thinking about the roles and perspectives of women in relation to colonial processes and continuities. But it’s become about a transmission that happens on a familial and broader social level. There are points at which our works unite