Amateur Photographer

Ethics of wildlife photography

There are few better pursuits in life than grabbing your camera and striding into the great outdoors to immerse and engage in the natural world. The drive to get the shot can become maddening, obsessive. With no centralised industry resource on what is and isn’t acceptable, moral boundaries can blur to the point of illegality. Opinions on how to behave as a wildlife photographer, wildly differ. Lines are drawn, choices are made.

Photographers can’t all be expected to be experts in animal behaviour but do have a duty of care. A deep love of nature is paramount, every life form treated with equal importance: invertebrate, amphibian, reptile, bird or mammal. Nature stories need to be told and great photographs can still be achieved within ethical confines. If you’re asking yourself uncomfortable questions about whether your approach to photographing a subject is ethical, then it most likely isn’t. You have to learn to tread carefully.

Live baiting

Should live bait be used for the purposes of photography, are you even a wildlife photographer if you do? The industry swell is to reject live baiting – photography shouldn’t mean the death of an animal. The Wildlife Photography of the Year (WPOTY) rules state: Live baiting is

You’re reading a preview, subscribe to read more.

More from Amateur Photographer

Amateur Photographer1 min read
Amateur Photographer
Email ap.ed@kelsey.co.uk Editorial Group Editor Nigel Atherton Deputy Editor Geoff Harris Technical Editor Andy Westlake Features Editor Amy Davies Acting Features Editor Ailsa McWhinnieActing Features Editor David ClarkTechnique Editor Hollie Lath
Amateur Photographer1 min read
This Week’s Contributors
Ailsa interviews Paul Hart to find out more about his latest book, Fragile Our chief reviewer tests Leica’s SL3 mirrorless camera and the Lumix S 28-200mm The AP regular talks to Kenyan fine art photographer Thandiwe Muriu about her work HDR techniqu
Amateur Photographer5 min read
Panasonic Lumix S 28-200mm F4-7.1 Macro OIS
Introduced in February this year, the Panasonic Lumix S 28-200mm F4-7.1 Macro OIS is an all-in-one ‘superzoom’ lens for the firm’s full-frame mirrorless L-mount cameras. It’s billed as the smallest and lightest of its type, at 93.4mm long and 413g. I

Related