IN THE FRAME

Last month we had a look at how we might slow down a bit and start thinking more about the fishing photos we want to take. So now let’s take that further and start dialling into composition, or the makeup of the actual photo. I hope you have been playing around a bit and not just standing there and shooting away at eye-level all the time. I also hope you have noticed how changing the angle or position at which you take a picture can really “grab” you when you scroll through your camera roll - but what about how we might use the elements in front of us to help make an interesting photograph? How do we combine the angler and all that sea and sky or rocks and sand and waves and so on into a photo that people want to look at?

SUBCONSCIOUS

We need to think about how our eyes look at a photo.