The Critic Magazine

LIKE WOTAN RIDING THE STORM

and I’m sitting inside 76 tons of heavily engineered steel. Drizzle falls on the platform of Loughborough Central station, and clouds of steam billow and drift like we’re in a 1940s weepie. But that doesn’t concern me right now, because I’m at the controls of steam locomotive No. 73156, squinting through rain-spattered glass at the bright red signal a hundred yards ahead and faintly terrified at what I’m about to do. Riding atop a huge mobile furnace filled with high-pressure steam does seem to concentrate the mind.

IT’S A GREY MORNING IN THE EAST MIDLANDS, The signal jerks upwards. “OK, just a bit” comes the voice behind me, and I tug at a lever. There’s a roar, the floor vibrates; a needle on a dial quivers. Gradually, deliberately, the world to each side starts to slide away. We’re moving, and it’s all my doing. I glance round at my supervisor for reassurance, and notice that he seems amused: possibly because — it now dawns on me — I’m grinning like an idiot.

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