Enter Sandman
It could be said that, after a long nightmare, Neil Gaiman is having a dream run with screen adaptations. The streaming era has been good to the veteran fantasy author. It has allowed his past works, often too mythologically and theologically dense and historically sprawling for easy screen translation, to become big-budget, star-studded television shows.
He has had some movies of his lighter work, like fairy-tale comedy Stardust (2007) and the stop-motion animated children’s horror Coraline (2009). More recently, though, his novels American Gods and Good Omens (co-written with Terry Pratchett) have become multi-season series on Amazon Prime, the TV arm of a company that has been selling his books since it began.
Considering the size of the writer’s catalogue, there has not
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