Pianist

THE SPECTRE’S WALTZ

Imagine it’s the 18th century. You are looking down onto a haunted ballroom from the balcony. The lighting is dim, and the cobweb chandeliers are twinkling. The spirits take to the dancefloor dressed for this spectacular event.

 opens with an introduction of four bars that set the scene as the ghosts take their place on the dancefloor. Be sure to set a firm tempo and establish a waltzing pulse from the playing to bring out the melodic line clearly above the LH accompaniment, balancing the parts to ensure that the LH does not drown the RH.

You’re reading a preview, subscribe to read more.

More from Pianist

Pianist2 min readMusic
Spring Has Sprung
‘Thank goodness spring is here,’ I thought, as I looked out onto the garden one morning in early March, watching my cat weave his way through the daffodils. Spring brings the promise of new life. The dispelling of cold, hard winter, and the welcome a
Pianist1 min readMusic
Edvard GRIEG (1843-1907)
This descriptive piece from Grieg’s third volume of Lyric Pieces needs very little explanation: picture a cheeky little bird hopping around, who then becomes rather feisty in the central section! This piece is a good exercise for working on crisp, li
Pianist1 min read
Edward MACDOWELL (1860-1908)
With the theme of springtime running through this issue, ‘In The Woods’ might capture a dewy spring day. Presented here is the poem by Goethe on which the piece is based. Read Nils Franke’s lesson. Through the woodland glades,One springtide fair,I wa

Related