The cover art for Wilco’s finely hewn double album Cruel Country resembles a hand-stitched doily or the kind of patch you might have seen sewn onto the back pocket of a pair of vintage faded jeans circa 1978. It’s appropriate: Wilco’s music has long been a patchwork, piecing together the scope and potential of American music for the band’s nearly 30 years.
, Wilco’s latest, is anything but cruel: it’s a longform love