The Guardian

Three Colours trilogy: why Kieślowski’s arthouse event films continue to dazzle

The first non-English-language film I ever saw in a cinema was Krzysztof Kieślowski’s Three Colours: Red, when it finally snuck into our local Johannesburg arthouse, some months after the critical hype from abroad had subsided.

It was, perhaps, an ambitious gamble by my parents, considering that I was 11 years old, and that none of us had seen the preceding two titles in Kieślowski’s Three Colours trilogy (receiving a 4K re-release in US cinemas this summer). But I was already serious about film, and my parents rightly reasoned that my horizons could then

You’re reading a preview, subscribe to read more.

More from The Guardian

The Guardian4 min read
Lawn And Order: The Evergreen Appeal Of Grass-cutting In Video Games
Jessica used to come for tea on Tuesdays, and all she wanted to do was cut grass. Every week, we’d click The Legend of Zelda: The Wind Waker’s miniature disc into my GameCube and she’d ready her sword. Because she was a couple of years younger than m
The Guardian4 min read
The Royals May Easily Dismiss Harry And Meghan, But These Charges Of Racism Will Linger For Ever | Zoe Williams
Omid Scobie is the reporter favoured by Harry and Meghan. In ordinary circumstances, this would be a footnote, but the couple’s relationship with the rest of the press is so frosty that Scobie’s access looks as unfettered as if he were their medieval
The Guardian6 min read
Fallen Kingdom: Why Has Disney Had Such A Terrible Year?
For its 100th anniversary this year, Disney received a bucket of ice-cold water to the face. It may sound momentary, but somehow it’s the gift that has been giving all year, from the box office nosedive of Marvel’s Ant-Man sequel, to lower-than-expec

Related