ArtAsiaPacific

Nipping at the Heels

he new battle for art-market supremacy is on in Asia. Pre-Covid, commercial centers from New Delhi to Tokyo were considered provincial compared to the tax-free, glittering, Chinese and international entrepot of Hong Kong. In recent months, the playing field has shifted thanks to the pandemic and China’s fantasy of conjuring up a zero-Covid reality. Suffocating social-distancing measures implemented across the Middle Kingdom, including in its largest commercial center as well as in its once-glittering appendage in the Pearl River Delta,

You’re reading a preview, subscribe to read more.

More from ArtAsiaPacific

ArtAsiaPacific2 min read
Amar kanwar
Having become accustomed to consuming short-form content on social media, submerging oneself in long-duration video works can often induce a certain restlessness. But watching The Peacock’s Graveyard (2023) by New Delhi-born filmmaker Amar Kanwar, wh
ArtAsiaPacific3 min read
Scratching At The Moon
The Model Minority myth that arose in response to historical events surrounding Asians and Asian Americans during the Second World War has been hard to shake. Not only is the stereotype incorrect as applied against a wide-ranging category that includ
ArtAsiaPacific3 min read
Heman Chong Meditations on Shadow Libraries
Over the past two decades, Heman Chong has harbored a deep fascination with knowledge circulation through his multifaceted, conceptually driven practice. “Meditations on Shadow Libraries” at STPI gallery represented the Malaysian-born, Singapore-base

Related Books & Audiobooks