Prog

A Great Day For Freedom

“I wouldn’t do this with many more things, but it’s so vitally, vitally important that people understand what’s going on [in Ukraine] and do everything within their power to change that situation.”
David Gilmour

In the very first Prog magazine, published in 2009, this writer was asked to “gaze into his crystal ball to see what the future holds for Floyd fans the world over”. The article, titled The Final Cut?, concluded with the summation that Pink Floyd’s “ownership of rock’s mystical high ground is forever assured… Their music still throws shapes and curves, hidden alleyways for an inquisitive mind to wander… With Pink Floyd, as with The Beatles, there will always be a considerable amount of interest in and scrutiny of what David Gilmour, Roger Waters and Nick Mason do… Whatever happens, Pink Floyd’s legend grows ever more mythical.”

In the intervening years, more mythical they became. Aside from the sundry reissues, exhibitions and solo albums, few would have foreseen a ‘new’ Pink Floyd album in 2014. was a mixture of offcuts from and new material as a tribute to Richard Wright, very much a final word from the group. The praise for Mason’s drumming on that album, so often hidden

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