IN THE CANNES
ARMAGEDDON TIME
ot on the heels of and , James Gray is the latest filmmaker to put his childhood on screen with cine–memoir, . A richly textured, well–performed Reagan–era period piece, it stars Banks Repeta as Gray in all–but name, the youngest son in a Jewish family who learns tough lessons about who gets ahead in America. It’s just as transportive, in its own gently absorbing way, as or , and in Anthony Hopkins has a great
