AN AUSTRALIAN IN PARIS
Jun 21, 2022
2 minutes
By Jake Millar
ast year, the Fondation Cartier pour l’art contemporain was preparing to open the doors of its latest exhibition, a collection of paintings known as the series. The 30 works were by Damien Hirst — easily one of the most successful artists today — and they marked his return to solo painting. In other words, the show was a very big deal.
You’re reading a preview, subscribe to read more.
Start your free 30 days