Writing Magazine

KEEPING TIME WITH STORY

We all know what a great story looks like because we’ve seen them a thousand times in books and films and TV series. However, creating a gripping story that will stretch to 70,000+ words is not as simple as following such a story – and this is the greatest problem for all apprentice writers.

It’s paradoxical. We understand how stories work but it’s so difficult to build them. The issue is that we’re used to conceiving story as consumers – as readers and viewers – rather than as creators. It’s a big difference. The former is largely passive as we wait for things to happen. The latter is proactive: we have to be always ahead of the reader.

Understanding story is critical to writing a novel. Not just your story, but story as a concept and a tool. Just as drawing involves perspective and music

You’re reading a preview, subscribe to read more.

More from Writing Magazine

Writing Magazine3 min read
Get Published
In the 1970s and 80s horror fiction was huge, the genre dominated by bestselling titles by Stephen King and James Herbert, writes Gary Dalkin. Shelves were filled with books by Ramsey Campbell, Shaun Hutson, Brian Lumley, Mark Morris, Stephen Laws a
Writing Magazine4 min read
Short Story Competitions
Win prizes for short stories up to 3,000 words. The Fiction Factory Short Story Competition is inviting short fiction in any genre apart from children’s and YA. Enter original, unpublished short stories up to 3,000 words. The prizes are TBA. The entr
Writing Magazine3 min read
Madeleine Milburn
Madeleine Milburn taught English in Germany after graduating from St Andrews University. However, after a chance connection with a woman running a small independent publishing company, she changed jobs and learned all about the Frankfurt Book Fair an

Related Books & Audiobooks