The Critic Magazine

Last swipe at the Proms

It’s the most wonderful time of the year in classical music journalism. The BBC Proms programme has dropped and it’s time to put the boot in. “It’s clichéd to be cynical at Christmas,” sang Half Man Half Biscuit, but this is Planet Classical and we’re never going to let the sheer predictability of a target stand in our way.

From the first apoplectic splutter as the brochure lands in late April — it’s like they don’t even care about the Joachim Raff bicentenary! — to the final spasm of confected outrage over the Last Night of the

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine4 min read
Robert Thicknesse on Opera
YOU KNOW THE STORY, BUT HERE’S a reminder: SCOTTISH WEDDING — THREE DEAD. If any operatic image can elbow out the chesty soprano snuffing it on the bed, it’s got to be the wild-eyed bride of Lammermoor in her blood-spattered wedding dress: little Luc
The Critic Magazine2 min read
Gregory Snaith
ON THE DAY BEFORE OXFORD English finals, when Gregory’s tutorial group met for its valedictory session, their tutor, Dr Carstairs, asked them all what they intended nded to “do”. The predictable replies — this was the late 1980s — included two mercha
The Critic Magazine4 min read
Romeo Coates “Between You And Me …”
GIVING US HIS MODERN-DAY Falstaff (suddenly “Shakespeare’s ultimate gangster”, apparently), McKellen unfashionably relies on a fat suit for the role. Though such an approach is now often frowned upon by the obese/obese-conscious, old Gandalf deems hi

Related