BBC Music Magazine

An interview with sini Simonen

What was your starting point for this project?

It was one of those pandemic projects, where you suddenly have a lot of time and you are just. I was moved by the masterful depiction of his experience of time. We’ve loved Beethoven’s Op. 132 for many years, and I think TS Eliot also loved it. There is this transcendental quality, or something beyond time. So I guess I was just playing around with ideas when we were suddenly in a completely different reality.

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