ive opera has been hard to come by in Canada these past few months and where there have been performances, audiences have been forcibly limited in numbers. For its long-awaited return to the Jubilee Auditorium, Calgary Opera was constrained to 50% audience capacity by government restrictions. As a company proud of its reputation for not laying off a single employee during the pandemic and for finding innovative methods to rehearse while adhering to strict social-distancing measures, the successful February run of Franz Lehár’s was something of a miracle,
