The Critic Magazine

Burrell 2.0

HEN THE BURRELL COLLECTION opened in a park just south of Glasgow on 21 October 1983, it made a big impact. Here was a collection of a private individual equivalent in its scope to some of the great collections in the United States — not quite at the level of the Frick Collection or the Morgan Library, but all of it of the highest quality: tapestries equal to those of the V&A; Persian carpets; eighteenth-century paintings; some antiquities; and a wonderfully wide-ranging collection of work by Degas, which was recently shown

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine4 min read
The Final Lap
THE SAN MARINO GRAND PRIX, 1994. THIRTY years ago this May Day. AYRTON SENNA sits on the start line and removes his helmet, which he never usually does. “The helmet hides feelings which cannot be understood,” he once said. Today, he doesn’t bother to
The Critic Magazine3 min read
Fighting Lies With Lies
PROPAGANDA AND DISINFORMATION AREamong the biggest threats facing liberal democracies today. The internet’s promise to democratise information, while partly fulfilled, has further polarised societies by nurturing ignorance and feeding conspiracy theo
The Critic Magazine4 min read
Robert Thicknesse on Opera
YOU KNOW THE STORY, BUT HERE’S a reminder: SCOTTISH WEDDING — THREE DEAD. If any operatic image can elbow out the chesty soprano snuffing it on the bed, it’s got to be the wild-eyed bride of Lammermoor in her blood-spattered wedding dress: little Luc

Related