The Critic Magazine

STUDIO

AT THE HEART OF VALENCIA’S MARCH FERIA are the “fallas”: fantastical painted dioramas, made of wood and papier-mâché, standing as high as houses and depicting allegorical themes. Hundreds of guilds, representing different districts of the town, spend all year labouring over them. For a week, they are displayed on street corners, rated and judged.

Then, on the night of 19 March, to mark the feast of St Joseph — the ultimate carpenter — they are put to the torch (the cremà). As the effigies turn to ash, Valencians are reminded of the grimmest of

You’re reading a preview, subscribe to read more.

More from The Critic Magazine

The Critic Magazine4 min read
The Final Lap
THE SAN MARINO GRAND PRIX, 1994. THIRTY years ago this May Day. AYRTON SENNA sits on the start line and removes his helmet, which he never usually does. “The helmet hides feelings which cannot be understood,” he once said. Today, he doesn’t bother to
The Critic Magazine3 min read
Fighting Lies With Lies
PROPAGANDA AND DISINFORMATION AREamong the biggest threats facing liberal democracies today. The internet’s promise to democratise information, while partly fulfilled, has further polarised societies by nurturing ignorance and feeding conspiracy theo
The Critic Magazine4 min read
Robert Thicknesse on Opera
YOU KNOW THE STORY, BUT HERE’S a reminder: SCOTTISH WEDDING — THREE DEAD. If any operatic image can elbow out the chesty soprano snuffing it on the bed, it’s got to be the wild-eyed bride of Lammermoor in her blood-spattered wedding dress: little Luc

Related Books & Audiobooks