Aperture

Truth to Material

ere are the bodies: braid-framed German faces and shirtless, toned torsos. And here are the material goods, products of a curious labor of desire: bright canvas tipis, brain-tanned deerskin, perfectly crafted feathers, quilled and beaded clothing that mimics Karl Bodmer paintings from the 1830s. Bodies and goods join together in performances, as drums pound,——

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