India Today

BIG AND BRASSY

ubodh Gupta’s show (on view at the Nature Morte gallery, New Delhi until April 10) includes a kinetic sculpture he has named ‘Self-portrait’. As often happens with Gupta’s art, this work, too, is made up of several cooking utensils. With the artist or his face nowhere to be seen, the question asks itself: How is this a self-portrait? “It’s an ode to my childhood memories,” Gupta tells us. “As a child, I with bricks, sand, rice, mango leaves, coconuts and some flowers arranged on a brass . We grew up with such rituals which were like installation/performance art for us. This self-portrait is a between me and my mother.”

You’re reading a preview, subscribe to read more.

More from India Today

India Today1 min read
A Mantra Called Self-reliance
For 25 years, S. Chandrakala worked at a bag manufacturer before she decided to set up a small shop of her own six years ago. With her provident fund money and savings, Chandrakala bought two sewing machines. She now makes and sells school bags, rain
India Today1 min read
Flower Power
It’s more usual to find thorny barbs being exchanged in West Bengal. And you can’t fault Adhir Ranjan Chowdhury if he’s always expecting a vitriolic word or two being hurled his way. The Congress warlord, fighting to keep Baharampur, gets as good as
India Today2 min read
The Reluctant Art Critic
Open any book on modern Indian art of the 20th century and the name of Rudolf von Leyden will leap out. Along with him there are two others, Walter Langhammer and Emanuel Schlesinger, who arrive a little later in pre-War Bombay, fellow exiles fleeing

Related